Press kit
500 Word Bio
Distinguished for insightful performances, visionary programming, and wide-ranging collaborations, conductor Jeffery Meyer has captivated audiences in the contemporary orchestral scene around the globe.
He is an Artistic Partner with the Northwest Sinfonietta, one of the Northwest United States’ most dynamic orchestras, as well as Professor of Music in Orchestral Conducting at Indiana University Jacobs School of Music. Artistic Director of the St. Petersburg Chamber Philharmonic for two decades, his work with the orchestra was noted for its breadth and innovation. The orchestra’s American debut with three performances at Symphony Space’s Wall-to-Wall Festival in New York City were described by The New York Times as “impressive”, “powerful”, “splendid” and “blazing.” His programming has been awarded multiple prizes including three ASCAP Awards for Adventurous Programming and two Vytautas Marijosius Memorial Awards in Orchestral Programming.
A champion of contemporary orchestral music, his passion for fusing classical tradition with contemporary insight imagines the orchestral experience as a powerful medium for emotion, story, and cultural dialogue, fostering transformative collaborations with composers and performers, as well as multimedia visionaries, activists, and urban artists. His recorded catalogue includes repertoire from the early baroque to the music of our time. His most recent album Illuminations: Music of Narong Prangcharoen was released on the Albany Records label in 2023.
Recent projects include a newly developed multimedia performance of Stravinsky’s Rite of Spring and Petrushka with the Thailand Philharmonic Orchestra and a world premiere choreography for Petrushka in collaboration with the Jacobs School of Music Ballet Department; the premiere of Carlos Simon’s Graffiti performed and recorded with internationally renowned graffiti artists; a theatrical symphonic concert exploring themes of social justice developed in collaboration with Daniel Bernard Roumain and Marc Bamuthi Joseph; the world premiere recording of Laura Kaminsky’s Piano Concerto with pianist Ursula Oppens; a new, semi-staged production of Nkeiru Okoye’s Invitation to a Die-In; multiple collaborations with the American Composers Orchestra’s EarShot program, and an ongoing collaboration with award-winning radio producer Jad Abumrad exploring narrative, sound, and orchestral performance.
Recent and upcoming engagements include appearances with the Scotia Festival of Music, American Composers Orchestra, City Chamber Orchestra of Hong Kong with soprano Dawn Upshaw, Xalapa Symphony Orchestra, Orquesta Juvenil Universitaria Eduardo Mata, Texas Festival Orchestra at Round Top, and return engagements with the Grossman Ensemble, Sichuan Symphony, and Thailand Philharmonic.
Meyer's commitment to the innovative future of classical music positions him as a sought-after educator and mentor. His guidance extends beyond technique, diving into the philosophy and intricacies of civic leadership in today's evolving cultural scene. Prior to his appointment at the Jacobs School of Music, he led the acclaimed orchestral programs at Arizona State University and Ithaca College. He has given masterclasses throughout the United States as well as Canada, Europe, and Asia and has led conducting masterclasses spanning the globe at such institutions as the Central Conservatory in Beijing, Shanghai Conservatory, Tianjin Conservatory, the Universität für Musik und Darstellende Kunst in Vienna, and the Rimsky-Korsakov Conservatory in St. Petersburg, Russia.
Meyer holds degrees in piano as well as composition and completed his Doctor of Musical Arts in Piano Performance with Gilbert Kalish at the State University of New York at Stony Brook.
300 Word Bio
Distinguished for insightful performances, visionary programming, and wide-ranging collaborations, conductor Jeffery Meyer has captivated audiences around the globe. He is Professor of Orchestral Conducting at the Indiana University Jacobs School of Music as well as Artistic Partner with the Northwest Sinfonietta, one of the Northwest United States’ most vibrantly creative ensembles. Artistic Director of the St. Petersburg Chamber Philharmonic for two decades, his work with the orchestra was noted for its breadth and innovation. His programming has earned three ASCAP Awards for Adventurous Programming and two Vytautas Marijosius Memorial Awards.
A champion of contemporary music, Meyer imagines the orchestral experience as a forum for story, emotion, and civic dialogue. His projects have paired symphonic works with multimedia visionaries and diverse cultural collaborators. His recordings span repertoire from baroque to the present; his most recent, Illuminations: Music of Narong Prangcharoen was released by Albany Records in 2023.
Recent highlights include a multimedia Rite of Spring and Petrushka with the Thailand Philharmonic; Carlos Simon’s Graffiti with renowned urban artists; a theatrical symphonic concert developed in collaboration with Daniel Bernard Roumain and Marc Bamuthi Joseph; Laura Kaminsky’s Piano Concerto with Ursula Oppens (Cedille Records); a semi-staged production of Nkeiru Okoye’s Invitation to a Die-In; and multiple collaborations with the American Composers Orchestra’s EarShot program. Recent and upcoming engagements include the City Chamber Orchestra of Hong Kong, the Xalapa Symphony Orchestra, Orquesta Juvenil Universitaria Eduardo Mata, American Composers Orchestra, Texas Festival Orchestra at Round Top, returns to the Grossman Ensemble, Sichuan Symphony, and Thailand Philharmonic, and an ongoing collaboration with award-winning radio producer Jad Abumrad exploring narrative, sound, and orchestral performance.
Passionate about working with young musicians and advancing music education, Meyer is an active adjudicator, guest clinician, and masterclass teacher. Prior to his appointment at the Jacobs School, he led acclaimed orchestral programs at Arizona State University and Ithaca College. He has given master classes throughout the United States, Canada, Europe, and Asia. Meyer holds degrees in piano and composition and earned his Doctor of Musical Arts in Piano Performance with Gilbert Kalish at Stony Brook University.